




As long as I can remember I have had an interest in psycho-geography and what binds people affectionately to places that others may consider an eyesore
I remember growing up playing in ruins of abandoned Victorian cotton mills on the banks of the canal, and grimy tiled shopping precinct stairwells, and running my hands along the pebble-dashed walls of council estates, and the smell of burning plastic from vandalised fire damaged warehouses on the edge of town.
In my paintings I attempt to capture what remains of what I feel contains the dying soul of these northern towns and cities. It emanates through the old buildings and walls that still remain quietly standing defiantly on the precipice of regeneration. I hope by painting these places now I’m giving them a kind of dignified end-of-life before their fate turns them to rubble and then inevitably to luxury apartments or fulfilment centres.



"Stillness, silence, nothingness is what informs my painting. No life, only the faded evidence of human existence etched and eroded into the landscape"
Peter James Houghton painter of the vestiges of Northern factory belts. City of Salford, UK